Lines That Bind: My Journey Through Art and Geometry
- Shubha Banavar

- 23 hours ago
- 4 min read

This blog marks the start of a journey. Together, we’ll explore the deep roots of Indian and global traditions, uncovering how ancient wisdom finds its way into the modern home.
Beyond the Circle: Breathing New Life into Ancient Art
Art isn’t just about pigments on a medium; it’s a living, breathing history. From the intricate geometry of a mandala to the earthy stories of tribal and folk art to the intricate detailing of temple art like pattachitra or Kerala mural, every line has a heartbeat. As an artist specializing in mandalas, jewelry, and home decor, I don’t just paint patterns, I’m a storyteller using a centuries-old visual language.
It’s humbling to realize that when I pick up a brush to draw a geometric pattern, I am participating in a human tradition that spans nearly the entire history of our species. From the Paleolithic Age, the most elementary forms of mandalas were in the form of 'cupoles', rounded depressions carved into stone, and circles. Of the earliest known examples, one is from France dating back 100,000 years and the other in northwest Australia dating back at least 75,000 years old. These are believed to be symbolic markings. As humans mastered metalwork, these patterns evolved into the complex spirals and interlaced knots seen in Celtic and Vedic metalwork. From the pottery of the Indus Valley to the shields of Iron Age warriors, geometry was used to signify status, protection, and a deep connection to the mathematical rhythm of nature.
By incorporating these ancient structures into my jewelry and decor, I feel like I’m connecting a thread that runs from the cave walls of our ancestors straight into the modern home.
The Architecture of the Soul: The Magic of Mandalas
The word Mandala comes from the ancient Sanskrit word for "circle." But look closer, and you’ll see it’s actually a cosmic map. In Hindu, Buddhist and Jain traditions, these designs represent the Macrocosm (the universe) and the Microcosm (the self).
There is a reason why mandalas feel so peaceful. They utilize radial balance, drawing your eye toward a center, a process that mimics meditation. While we see them in high-art temple architecture, we also see them in the "Art of the Moment." These can be found in the 'Rangoli' or 'Kolam,' ephemeral mandalas made of rice flour, with new patterns everyday, at the doorsteps of Indian homes, to welcome prosperity. When I create a mandala, I am tapping into that same ritual of focus and harmony that I saw my great-grandmother and grandmother tapping into everyday, almost all their lives.

The Pulse of the People: Folk Art and Temple Art
If mandalas mimic the universal structure of creation, Indian folk art represents the soil and traditional Temple Art evokes the divine. Folk art forms were born in villages. They were often painted on walls of homes and communal buildings, using natural dyes or pigments made from soil, chalk, limestone, plant based dyes and mineral pigments. While temple art styles also used similar plant and mineral based pigments, they were very intricate, often depicted on temple walls or scrolls, retelling ancient mythology or legends.
Here is how some of these distinct "languages" inform my work:
Kalamkari (The Pen-Craft): Originating in Andhra Pradesh, this style is split into Srikalahasti (hand-painted) and Machilipatnam (block-printed). The use of the qalam (a bamboo reed pen) creates a distinct, organic line. I often borrow its "Persian-influenced" floral borders or fine linework to frame my contemporary pieces.

Madhubani (The Mithila Style): Hailing from Bihar, this art was traditionally done by women. It’s famous for its "double line" borders and eyes that seem to follow you. It uses no "empty space"—every inch is filled with patterns, a concept known as horror vacui, which I love to replicate in my intricate jewelry.
Warli and Hase Chittara (The Geometric Dance): This is ultimate "minimalism." Using only circles, triangles, and squares, both the Warli tribe of Maharashtra and the Deevaru community of Karnataka depict communal life. It reminds me that you don’t need complex shapes to tell a powerful story of human connection! My favorite set of coasters embodies this philosophy of minimalism.
Pattachitra (The Cloth Scroll): From Odisha, this is one of the most disciplined art forms. It is known for it's super intricate detailing and mythological narratives. Its influence shows up in my work through fine, rhythmic, almost meditative brushwork.

Wearable Heritage: Bringing Tradition to the Modern Day
Why should these beautiful stories and art stay trapped in history books? My mission is to take these ancient motifs and translate them into pieces you can wear or use daily.
I love the challenge of Functional Art. Whether it’s a motif pattern hand-painted onto a pair of earrings or a wooden pendant or a serving tray that features the bold lines of Madhubani, I believe that high-quality, handcrafted decor brings a "soul" into a home that mass-produced items simply cannot. It’s about making heritage accessible, tactile, and relevant.
I see my art as a global canvas. While my heart is in India, art has no borders. I’m constantly inspired by the tessellations of Islamic art and the Zen-like "Ma" (negative space) found in Japanese traditions. By blending these global perspectives with Indian folk art, I’m able to create something entirely new: a cross-cultural dialogue through design.
Join the Journey
This is more than a portfolio; it’s a never-ending exploration of everything art around me and around the world! My blog aims to delve deeper deeper into various art forms in India and across the globe, step-by-step techniques, the symbolism of colors, behind-the-scenes of my latest collections and my travels!
What art form has always fascinated you? Whether it’s the symmetry of a circle or the storytelling of a mural, I’d love to hear what moves you. Leave a comment below and let’s start the conversation!

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